Full Scene Anti-Aliasing

Full Scene Anti-Aliasing, or FSAA is a type of anti aliasing where, rather than each individual object texture being anti-aliased, the whole view from the user?s viewpoint is aliased at once. This removes jagged lines and makes the area seem more realistic.

It is far less processor intensive than individual anti-aliasing, but encounters problems with partially transparent, aliased objects In the scene. It can also make the scene look worse if there is a lot of fine detail, and lines.

FSAA is usually accomplished by supersampling ? blowing the scene up to a multiple of its original size, so that each pixel of the original equals four, or sixteen of the new. Those pixels are then smoothed into aliased hegemonies, and the supersample downsized again, to become the new image.

Below, we offer a selection of links from our resource databases which may match this term.

FSAA Full Scene Anti-Aliasing

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Cyclorama: the oft-neglected Tool
The cyclorama was the 19th century's version of TV, video game, and virtual reality, all (literally) rolled into one. By painting a large, highly detailed and realistic scene on the inside of a massive cylinder, they gave viewers standing in the middle, the feeling of really being a part of that scene.

Despite Popular Belief, Gamers Are Social
A round look at the necessity of being social it takes to be actively engaged in MMOs or social VR, and a clear repudiation from several highly reputable sources of the anti-social image of gaming.

Large Image Display: Simone: Mocap Synthespian
A scene from the film Simone, describing the merging of human and machine elements, creating an avatar embodiment which is half her human operator, and half artificially sourced. A scene showing something that is all too realistic, and very likely to occur for real.

High Dynamic Range Photography, and Use in Eye Emulation
H.D.R., or high dynamic range photography is a relatively new technique used by photographers to take high-quality full lighting range photos that are near-indistinguishable from paintings, for their ability to correctly replicate the lighting of a given scene, exactly how the human eye would see it.

3-D Modeling Advance: A single photo can be reconstructed into a 3-D scene
Building on the premise of Parallax mapping, in which 3D displacement of surfaces is faked by means of displacing textures both by creating a height map of their protuberance from 3D space and then calculating the angle of that protuberance relative to the angle the observer is looking, Microsoft and Make3D have created a process allowing a single photo to become a 3D scene.

Large Image Display: Animatrix: Matriculated: Plugging In
This shows what is essentially a full sensory immersion LAN. An eight person, totally self contained full-immersion VR machine. As shown, the interface method is direct neural biofeedback; the staple for the Matrix universe. Each of the person's brains are connected to the system via their brainstem, allowing full two way bodily sensory stimulus. However, there is no connection to the greater internet.

Large Image Display: Program: Welcome back to the Real?
The closing scene from the Animatrix short, Program, has two very important and pertinent lessons to teach. One concerns the problem with grasping the emotions, the other a reminder about interfaces.

Convex Hull Simplification With Containment By Successive Plane Removal
A fairly short overview of an interesting, and immensely handy simplification method, with the potential to reduce the number of calculations needed in a scene.

Large Image Display: The Stepford Wives: Soulless Automation
A scene from 'The Stepford Wives' in which the robotic skin is shown to Joanna for the first time; along with the knowledge that she will soon be inside it, whether she wishes it or not. This plays on the submersion of humanity within the machine, and also the uncanny valley.

Large Image Display: AI: Artificial Intelligence: Does Not Eat
This scene from AI: Artificial intelligence shows an oft-ignored aspect of the uncanny valley; it shows the flip-side of it, and the effects on the robot, being just shy of able to interact normally with humans.

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